Archived from the original on September 9,
They are already masculine.
An allegiance with Brandon's outsider status aligns the viewer with Brandon's initial exhilaration at his transgressive success as a boy, drawing us through to the film's disturbing finale.
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Though injured, Brandon escapes through a bathroom window.
Description: I wanted the audience to enter deeply into this place, this character, so they could entertain these contradictions in Brandon's own mind and would not think he was crazy, would not think he was lying, but would see him as more deeply human". Tisdel disliked the way she was portrayed in the film, and called the film the "second murder of Brandon Teena".